Pasolini's first film is a harrowing, realistic and unsentimental look inside the slums of Rome, where its dinizens the prostitutes, hustlers and petty thieve attempt to eke out an existence any way they can. (Italy)

A gritty investigation of sex in Italy. Pasolini, the poet turned filmmaker, appears as t he interviewer and asks a wide range of individuals to share their tales of love, prostitution, homosexuality, marital and non-marital liasions.(Italy)

Filmed in and around an awesome, 15th century adobe city in the Moroccan desert, Pasolinis version of the Oedipus legend retains the basic elements of Sophocles classic tragedy.

This strange, grotesque and thought provoking parable is filmed with such a calm beauty and underlying disgust that it gains a deep significance as an attack on the middle classes of the 20th century.(Italy)

Dedicated to the memory of Pope John XXIII, Pasolinis remarkable film is a modern interpretation of the last days of Christ.

Featuring Italy's stone-faced clown Toto, as an Everyman who with his empty-headed son, travel the road of life accompanied by a talking crow, who waxes philosophically and amusingly on the passing scene. (Italy)